Tribute to Aso Fire Fest

I mentioned Aso Shrine the other day when I was discussing the Kumamoto Earthquake and it made me reminiscent of that night’s festival. I don’t know how long it will take for them to be able to do this again with all the repair work that needs to be done at the shrine and around the city in general, so I wanted to give others a brief visual representation of what goes on at this particular event.

It’s really quite a good time if you’re able to go once the festival has reopened in the future. Everyone is able to just jump out there and swing some fire as they please, no liability form required!

For another audio-visual look at some of the main events at the Aso Fire Festival, filtered through my own eyes, check out the videos below!

Nagasaki Lantern Festival

In early February every year, the city of Nagasaki hosts the aptly named Nagasaki Lantern Festival. It is the most colorful Lantern Festival I’ve seen to date, so I enjoyed it very much. And that is even with crowded streets and a cross-shaped, two-street Chinatown. The photos should give an overall vibe of the scene that met us here at this festival. :)

We started out at a smaller park area that served as a one of the smaller venues, featuring a parade of a lantern mikoshi and a Chinese acrobatic show. There were a lot of fun acts that we saw, among which included a many masked dance, where the performer changed face masks with the wave of her fan, juggling, plate-spinning, and a chair stacking acrobatic demo of balance! It was a pretty exciting way to kick off the festival.

The park also exposed us to many lanterns as an introduction of what was to come later. You really get an eyeful of color at this event, which was one of my favorite things about it!

During the day, the lanterns were impressive enough. As you can tell from some of the photos, the lanterns are huge! Some of them are taller than most of the people that wandered the area. It was like being in a paper zoo!

After taking in the show here at the smaller venue, we started walking over to the main venue area, based just outside of the Chinatown in Nagasaki. This Chinatown is a plus shape, and literally consists of two streets, but it is of historical import, being one of the first Chinatown areas in Japan.

As you can tell, it is very crowded there at this time. Though it makes navigating the brimming streets difficult, you get used to it temporarily. It is worth putting up with for the views that the area provides. Even in the light of day the sights are moving, as having a look at these creations is rare. The crowd itself becomes a sight as does the street, likely becoming more lively than it had been for months previous. Around this time we ducked the crowd temporarily by popping into one of the restaurants to have try champon, a Chinese noodle dish introduced through trade that has now been adopted by the culture here as a mainstay. We enjoyed a few other dishes too and it was very delicious! I don’t remember the name, but if you approach the Chinatown through the gate from the northwest side, coming from the shopping areas, you’ll see it. It’s the first major restaurant on the corner on the left.

And as the day progressed into night, things only got more impressive. The lanterns are naturally more dramatic at night, and being surrounded by them makes you feel transported to some other world.

The most interesting part of this display was indeed a sight that is visible at the main venue. Though I’m sure it has to do with some aspect of the event’s history and/or its Chinese roots – I can’t say for certain – a huge offering was set at the center of the lantern viewing area that looked like this:

Numerous pig heads were set out on platters in a glass-encased room, with attendants ever attending the candles to keep their flames alight. It was such a display that at first I wasn’t sure that I was seeing what I was seeing. Or perhaps I hoped it was an illusion… It was dramatic and somewhat startling to say it simply.

After viewing all the sights there we called it a night. We had seen most to all of what the festival had to offer and the next morning we planned to go to Gunkanjima, so we got somewhat of an early night. Passing by a temple on the way, we headed toward Cybac to attend our crowd-worn and sleepy minds and bodies. It was a great day.

Yamaga Toro Festival -山鹿灯籠祭-

This is a photo roundup of the Yamaga Toro Matsuri, an Obon festival held in August every year by the city of Yamaga in Kumamoto Prefecture. This festival is a crowded one indeed, but worth a visit, as it features several traditional dances, among which is the 1000 Person Lantern Dance, or Sennin Toro Odori (千人灯籠踊り). As you can tell from the images below, 1000 female participants perform a traditional dance in traditional garb, all with a lantern placed delicately upon their crowns. At the close of the festival, at a shrine a bit uphill from the elementary grounds the dance was performed at, many groups gift scale models of traditional buildings or scenes to the shrine, which are then blessed by a Shinto priest and received by the shrine. To my extreme surprise, as I went to grab an omikuji, or fortune, at the reception area alongside the shrine, I was told I won a prize! Which was a silver paper lantern just like those the dancers wore! So the festival ended on a nice note for me, with just the right amount of luck – daikichi, or big luck! :)

Yatsushiro Fireworks Festival 八代花火大会

Throughout Japan, there are several national festivals celebrating fireworks, where many well-known fireworks-makers get together and show off their products. One of these occurs relatively close to my placement in a town called Yatsushiro. This is one of the more crowded events I’ve been to in Japan, because everyone goes crazy for a fireworks show here, not to say I blame them. This type of show is usually worth a visit due to the breadth and depth of the show, showcasing works for a good hour or two.

I decided to attend the event with a friend, and we rode into town on the train a good hour before the show started. As some of my friends realized after the fact, traffic is horrible in the area surrounding the event space, which spans both sides of a river and most roads in the Japanese countryside are one lane, so it’s advisable to use public transport at times like these. The show didn’t start until 6 but we headed down at about 4:30, which was a really good call! As I said before, this is a crowded event, and even at 4:30 the trolley to the train station and subsequently the train was filled to the brink with people. Thanks to being an obvious foreigner, I was somewhat spared the people sandwiching due to my natural ‘gaikokujin aura,’ holding the Japanese around me at arm’s length through no effort of my own.

This particular show is held in late summer, so it’s a bit hot if you go, but if you bring a blanket or a chair and a couple of buds to man the space while you each track down snacks and drinks, it’s a great time. A lot of fireworks companies apparently come down to the area to showcase some of their better fireworks, with small breaks in between each company’s display. It was really worth seeing, so if you notice there’s one around you, definitely go at least once!

Yame Toro Ningyo Festival


This is a festival I just happened to luck my way into when I went to visit my previous host family in October the first year I arrived for JET. This was a small local festival and we didn’t stay long, but in the short time I was there I got to experience a fair amount! 2013-09-23 11.34.08Yame is a town located on the outskirts of Kurume, which is well known for its green tea. But it also holds a yearly Lantern and Doll Festival based around the local puppet house. I had actually been to this particular culture house before when I was first in the area – our group of local homestayers made a traditional Japanese paper postcard there, with pressed flowers and pulp. It was an interesting experience at the time, and I was excited to realize that I was back in the same place again after so many years. 2013-09-23 10.17.53First, we ventured into a historical writer’s home which now functioned as a museum, and looked around his abode for some time. There was a great garden space that was set up much in the Buddhist temple style, with sand, rock, and select plants making up the exterior facade. Though it may sound simple, it was quite beautiful. In one of the small buildings set alongside the house, wood-carved lanterns lined the walls, giving it a calm, but slightly eerie aura that I enjoyed quite a bit. Then we wandered along the small streets, peeking in several shops along the way. The main shop of interest for me was a traditional green tea making shoppe. The architecture of the building was quite interesting, with a traditional facide painted black and a large machine at the front of the building. Whether they actually use the machine or not, I can’t say, but their tea is delicious and so are their tasty green tea chocolate crispy snacks! 2013-09-23 11.05.57A bit further down the street we stopped and chatted with a local vendor while taking a few sips of ramune. Upon chatting, my host parents discovered that they were conducting jinrikusha rides down the street! Usually jinrikusha rides are a unique experience in Japan, but in some areas they can come at a cost. This one was a rare low price, so my host parents insisted I go! I insisted that someone come with me, and it was quite a fun ride. He took us around the area and explained bits of local lore along the way. Though it was fun I did feel bad because it must take a fair amount of strength to hoist people along the streets in continuous motion, not only once, but for whomever pays for the service! Our hoister was quite thin and spry, so perhaps he just considered it a good workout. The last stop of the day was the doll theatre, which I believe is housed in the Yame Traditional Arts Museum. In the theatre, there is a video on loop that showcases a previous performance. Because of the busy festival going on, volunteers were on hand this time, and one approached us and other onlookers and invited us up on the stage to have a look at the undercarriage and inner workings of the puppet stage. Upon climbing the stairs to the backstage, you’re on the original stage, where the dolls are, but if you journey below stage, you see quite a different world: an intricate network of string and woodwork, connecting and controlling each of the puppets above. This is where the puppeteers work their manipulative magicks. And it really requires a good amount of synchronization and skill. If I remember correctly, the guide told us that it takes around 9 people to operate each doll. The reason is that there is one person for each moveable appendage, so one for each are, one for the head, one for the feet and hands and so on. 2013-09-23 11.59.39 I haven’t watched an entire production yet, but it seems like a very unique art medium and cultural performance. This particular day was very culturally demonstrative for me and I enjoyed it immensely. If you get a chance to check out the festival I’d definitely stop by!